Tag: music

  • Get Back part 2

    I finished watching Get Back. Read my article about the first 30 minutes here.

    It’s safe to say this is hands down one of the best documentaries ever. I could not look away. Truly amazing.

    In between watching this over the last week I accumulated quite a few articles (from blogs, newspapers, and my RSS feed) that I did not want to read before I finished watching.

    But now I have read them all. I’ll share them here, because most of these say what else I would want to say about the tremendous experience that is Get Back.

    Links

    In no particular order: here are interesting links for further reading paired with key quotes.

    Key quote: “Without the guiding influence of Brian Epstein to tell them what to do and when to do it, they’re adrift. It becomes the Paul McCartney show – simply because he’s the only one who seems to want to produce anything. That, of course, builds up the resentment of the others from being bossed around – but in the absence of a unifying figure, what else could be done?”

    • https://www.washingtonpost.com/arts-entertainment/2021/12/06/beatles-get-back-documentary-songwriters/

      Key quote: “Every idea starts somewhere and somehow. There’s going to be a genesis moment for every piece of media we’ve ever seen. The gift we have is that they were filming it. They were rolling.”

      Key quote 2: “One of the most instructive moments is how many bad ideas there are that get abandoned. The ability to self-edit and criticize themselves and keep working on something until it’s the thing we all know.”

    I re-subscribed to the NY Times for the following three stories (the images are clickable links, NYT articles seem to embed rather nicely in WordPress).

    https://www.nytimes.com/2021/11/11/arts/music/beatles-get-back-peter-jackson.html

    Key quote: “Our movie doesn’t show the breaking up of the Beatles,” Jackson said, “but it shows the one singular moment in history that you could possibly say was the beginning of the end. (…)There’s no goodies in it, there’s no baddies,” Jackson said. “There’s no villains, there’s no heroes. It’s just a human story.”

    https://www.nytimes.com/2021/12/08/opinion/beatles-get-back-creativity-lessons.html

    Key quote: “There are many ways to watch Mr. Jackson’s opus — as an intimate glimpse at the dissolution of the greatest rock band of all time; as an epic psychodrama of friendships collapsing; as the settling of the perennial “breakup” debate among hard-core Beatles fans; or as The Guardian put it, as “eight hours of TV so aimless it threatens your sanity.”

    Key quote 2: “Even as wine, beer and more flows, the Beatles stay disciplined, working and reworking lyrics and arrangements until they get them right. “To wander aimlessly is very un-swinging,” Mr. McCartney says. “Unhip.” “

    https://www.nytimes.com/2021/12/08/arts/music/yoko-ono-beatles-get-back.html

    This is the strangest take on the doc, and one I don’t think I agree with, but interesting nonetheless.

    Key quote: “It’s as if she is staging a marathon performance piece, and in a way, she is.”

    Final thoughts

    I’m bound to come across more links, and I might update accordingly for posterity reasons.

    The only new thought I want to add here is the following.

    Songs are what made the Beatles. A long string of unique, genre defining and defying songs. Songs in general are containers of words and sounds that can mean different things to listeners. And often such meanings may be unintended or unplanned by the creator.
    The Beatles created their songs, by making music and finding words (how else?). Sometimes inspired by events, but more so it seems because it just sounded right*. They grabbed the muse as it appeared to them through endless repetition and trial and error until they had something that sounded right. That this something had the power to ultimately become something very meaningful to whomever, that is not up to them or even their goal. They just know that something right is a song that might mean something to other people as well, not just them. That is the definition of a great song.

    The Beatles tried to make great songs — by endlessly chasing them — but without intent to change the world or someone’s view of the world.
    So when someone lays in awe on the bedroom floor from a Beatles song, that has never been a direct aim (how could it). Not even the Beatles could directly chase after this goal to try and reach someone, because it doesn’t work that way. You can only try and make something that sounds right to you and hope it does for other people as well. And what it means to other people might be something different than what it means to you. Everybody applies their own meaning to art.

    And this of course goes for most things that people make. Whether it be art or other things people make. There are many things to take away from Get Back, but this is a main one: make something you would want (to listen to) yourself, the rest follows and is mostly not under your control.

    *There are plenty of examples where this is not the case, Bon Iver‘s first album comes to mind as well as Arcade Fire’s first album Funeral. Those are examples of inspired music from specific events that translate experienced emotions into words and sounds that vividly try to encapsulate and mimic those emotions. But still, even here the following is true: it might still mean something else to a listener.

  • My music discoveries of 2018 part 2

    This is part 2 of my best music discoveries of 2018. Earlier editions are here: 2015, 2016, 2017 and 2018 (part 1).

    Hands down my favorite tracks of 2018 are still One. Sentence Supervisor with Yelena, and City Calm Down with Blood. I have played these tracks more than any other. Both were featured in part 1. But, make no mistake, the second part of 2018 also presented some amazing discoveries.

    In no particular order.

    Sam Fender has the looks and the licks. Seemingly brimming with talent, this young gun already dropped a handful of shiners. But this track especially jumped from my screen. It’s easy to see where he gets his inspiration and that is not a bad thing. Not at all. I hope to hear a lot more from this guy.

    This video from Castle Pines is one of my favorite, clever, visuals of 2018 (just watch it). But above all, this is a killer track! I can not believe it only has 242 views on Youtube!! That is just wrong.

    The best EP from 2018 came from Australia. They’re called the Rolling Blackouts Coastal Fever. Quite a mouthful, but what a band. And this track in particular, Talking Straight, is different. On first listen it didn’t click. But a couple of listens in, this is a mesmerizing song. If you don’t like it: you’re not talking straight.

    You can’t really discuss 2018 without at least mentioning Greta van Vleet. The multi Grammy nominated band made quite a splash in 2018. A classic rock band setup, three brothers and a real screamer. Sure, we’ve all seen the long read think pieces discussing their sound. It’s tiring. Fact is, I’d rather listen to this SG than a lot of other things out there now.

    Ok, we need to talk about Idles. As punk as they come. But there is substance there too. And they’re probably the best live ticket in town at the moment. I mean, just look at this. The music seems to suffer by the performance, but overall it does not take anything away from what they’re trying to say. If anything, it adds to it.

    Kurt Vile has been on my list before. The former founding member of The War on Drugs does his own thing and I love him for it. Listen to his singing lines. He does not follow usual singing conventions nor timing and makes lazy ears work. I park for free!

    They’re called The Horrors for a reason, so you shouldn’t be surprised that this is a rather unsettling video. But at the core this is actually just a tender love song. I say this, because I think this track would also work well acoustic. But the futuristic synth sound they’ve chosen here, works equally well.

    If my taste was expressed by an algorithm which you could feed videos to calculate the probability of what I like, this next song would score very high. Maybe it’s the name, maybe it’s the tense intro, maybe it’s the chorus, maybe it’s the rolling R’s. Maybe it’s all of that. The Twilight Sad.

    The Decemberists is one of those bands I always thought I should pay closer attention to. This next gorgeous track underscores that thought most definitely.

    Amen Dunes. Fragile sounding voice, heartfelt lyrics. Can you feel it, tonight?

    I don’t know where the drums come from and I think that this is probably not a real live take, even though it’s made to look like it. But I’m game. You can never have enough violins. Darlingside with Hold Your Head Up High.

    What, no shirt and only a leather vest? I am intrigued. Tell me more. The main melody is straight from Fleetwood Mac, and the guitar solo is one of the worst that I have ever heard. But this song has a certain honesty to it, and that goes a long way.

    I don’t know anything about Linn Koch Emmery, but if I had to guess I think she probably owns a few Dinosaur Jr. records. And that is just fine! Videos that subtitle the lyrics need special attention. Attention well deserved in this case.

    Bonus. Since it is 2019 already, here is a brand new track from Death Cab for Cutie. Laden with 80s nostalgia and keyboards, melancholy lyrics and a lot of guitar delay. Yes! I think I will probably listen to this song a lot in 2019. I must admit I think the mix on this song could be better. Why? Just listen to this live performance.

  • My 2017 music disoveries

    My 2017 music disoveries

    I did a music post for 2015 and 2016, so here is 2017!

    Whether it’s blogs, podcasts, movies or the YouTube algorithm, if you keep your ears open there’s always new music to discover. So here we go in no particular order.

    Of course this list couldn’t be complete without Morrissey. So let’s start with him. He dropped a new album, caused a lot of drama about (misinterpreted) quotes in the news and consequently maybe even sabotaged his new album that way. On the lead single for the album he shares some words of wisdom about the modern times and preferred attitude towards the press (‘stop watching the news’). Coincidence?

    We had a guy paint our house this year, and he pumped this song from his portable JBL speaker. I didn’t know this song, but it immediately struck a familiar chord with me. 1961, the vocals, the suits, the horns and the clapping. I love it. And Dion DiMucci is still performing, so it seems.

    https://www.youtube.com/watch?v=y4NUZJMCJ20

    I don’t know whether the Bleachers have reached the charts yet or popular radio for that matter, but this song has all the markings of a typical pop hit. Bombastic, melodic and a sing-along-chorus and they’re not too bad live either. That’ll work. By the way, the intense singer, with the Mets tank top and Star of David around his neck, is Jack Antonoff who you might recognize as the guitar player for Fun! (who had a string of gigantic pop hits a couple of years ago).

    Staying with the money theme, Arcade Fire dropped a new album. This track asks to put your money on them. Is there an ArcadeCoin yet?

    I heard the backstory for this REM song in a podcast. So heartbreaking and warm at the same time.

    I really, really like the music of this next band. There are no new tricks or sounds here, you have heard most of it before. But they combine familiar elements just right to create an addictive and energetic total. The vocals are stadium size and the rhythm section is literally banging (just look at the fun the drummer is having), My Goodness. Just 247 views. Why??

    So last year, I had a Dylan track on my list. Here we go again, a live version of Blind Willie McTell I did not know before. Dylan doesn’t compromise and I love and hate him for it.

    Ok, so I had never heard of Prefab Sprout. But this song was featured in a scene from the movie The Meyerowitz Stories and it just clicked. It definitely bares the marks of a time when things were simpler as it is heavily influenced by the sounds of that era but at the same time you can tell this is a band that marches to their own beat.

    Here’s another one I picked up from a movie: Hunt for the Wilderpeople. Such a fun, feel good movie, and this song by New Zealand band Moniker was such a perfect fit for the car chase scene.

    Did you know Fleetwood Mac’s album Rumours still enters the charts every now and then? There is just something about that 40+ year old album that transcends generations. I don’t know too much about Sunflower Bean but I know they probably own that record too. Nothing wrong with that.

    Soundcloud seems to be ruled by face-tattooed, self-deprecating rapping sad boys who take way too much xanax and everything else and whose rap names all seem to be prefixed with lil’. The list of names is almost comical at this point. But the music is as raw as it comes and serves as a soundtrack to a fascinating cultural movement happening away from the mainstream (if that even exists anymore). There are lots of parts I don’t understand about it. In some ways it’s like the movie Kids came to live. But I can tell that the expression of rawness is youth rage and teenage angst at work, and that is all too familiar.  But with such a culture also come casualties. Lil Peep (Gustav Elijah Åhr) passed away two weeks after turning 21 from a drug overdose. And, in almost classic fashion he left behind songs with suggestive titles as “Better Off (Dying)” and “Pray I Die”.

    What is there to say about someone who was barely 21? In the end he was just a young, goofy but also troubled kid with parents who loved him. But without protection from things like fame and drugs. But also, this ‘beamerboy’ was as talented as they come on Soundcloud. From all the hard sounding rappers on there he seems to have had real knack for melodic, guitar influenced beats. Like this next track which is based on a sample from Yppah – Never mess with Sunday. What’s striking is the parts he borrows are not the parts you’d expect for a (then) 18 year old rapper. Over the looping guitar riff he lays on some teenage angst time-windowed lyrics with an already distinct flow and pace. It’s something. It’s not a track I would normally listen to myself, it’s rough, coarse, short and feels unfinished, but it’s also probably one of the most honest things on this list. “This music’s the only thing keepin’ the peace when I’m fallin’ to pieces”.

    The War on Drugs probably delivered the best rock album of 2017. After seeing them live I still wonder whether this is because they’re the best band or that there are less bands to compete with. Still, this is an amazing and carefully crafted track and one of my favorite songs of 2017.

    So, I didn’t really know who Luke Kelly was, yeah I know….sorry about that. This man was a force of nature . And you can never really go wrong with a banjo, right? I love it. Preach, Luke.

  • The Joshua Tree Tour 2017

    The Joshua Tree Tour 2017

    When the Joshua Tree came out in 1987 it catapulted U2 from a great rock band to the greatest rock n roll band in the world. Critically and commercially there was no way around them anymore. With four albums under their belt and a dedicated fan base as a result of a half decade of relentless touring these 25 and 26 year olds had retreated and successively knocked it out of the park with their greatest work yet.

    What you hear on the Joshua Tree is a band that’s at the peak of their creative ability and is exactly at the right place in time. This combined with razor sharp focus and complete dedication results in nothing short of a force of nature.

    From the opening generation defining guitar riff to a part gospel where Bono actually screams the entire song from the top of his lungs without you noticing to one of the greatest love songs ever written to the hidden brutal honesty of Running to Stand Still and to the dark bass song that is Exit. There are no fillers. (A feat they only topped once in the rest of their career). This point is underlined by the incredible B-sides that accompanied the albums’ singles. These B-sides would count as any others’ band greatest work. Like this next song. I’ve always loved the line: “He said he was an artist. But he really painted billboards. In large capital letters.”

    Recorded in the 80s, the Joshua Tree is completely a product of that era while at the same time it wears absolutely no marks of that era. A timeless piece of music.

    I was of course too young when they first toured the album. But I have a very clear memory of the Where the Streets Have No Name video. And when I was sixteen I read a U2 bio that had been published around the time the Joshua Tree came out and it made me a fan for life. The Joshua Tree was the first album I bought after reading it, and I know exactly where I was and how I felt when I played it for the first time.

    So, I must be pretty excited for the new tour? Well. Sort of. (And of course I’m going).

    This band playing the songs they created 30 years ago, is not the same band that created these songs. This is not U2’s fault, this how things go in music and life. Just like you will never be able to experience the Arctic Monkeys live again around the time their first album came out. Time moves on. Things change. Energy changes. The four guys on stage at the core will be the same people but that specific moment in time has passed. The world and their world in which they created the songs has changed. They have made other music since, they have done other things in life,  and they have played these songs literally 100s of time. That’s fundamentally different from a band that goes out on tour with new fresh songs, that nobody knows yet, to try and get them in the collective mindset of their fan base.

    Having a tour where you celebrate the 30 year anniversary of your most commercially successful album, with the same 4 people is something no other band has done. So, yes it is special. And I am curious to see how they will handle it. I don’t think U2 will play the role of a glorified tribute band to their own 80s self. They will try to add something new.

    And this last part is what bothers me a bit. Where is the new music? Is this tour a cheap cop-out, an easy way to make money? Let’s be honest, if you’re a U2 fan you are so mostly because of the music they made in the 80s and 90s. Except, the last album had some really killer tracks on it. Some of their best work this century!  Particularly Every Breaking Wave. This is one of the best U2 songs. Because it works as a rolling rock song with a thumping base, but it also works as an almost acappella song just carried by Bono’s voice (just give it a listen). It is something else. Or how about Ordinary Love, which was a non-album song for the 2013 Mandela movie. Tremendous song. So I would like to hear more new music! Are they still evolving as a band or were these one-offs? Apparently there will be a new album after this tour, yes please! Or maybe we can expect a Achtung Baby anniversary tour? I am all for that!